Second-hand Equipment

Boxed and complete. The fastest 100-105mm class lens of its time and constructed with the fewest lens elements. This lens never disappoints, offering similarly both in top class optical performance and supreme built quality.

Magnification double that of a normal lens produces photographs which draw the viewer's eye to the subject. The combination of shallow depth of field and natural perspective ensures extraordinary life-like portraits. Other uses include candids, travel photography, sports, available-light photography and weddings.

Released in 1981, the 105mm f/1.8 Nikkor AIS (also known as AI Nikkor 105mm f/1.8S) sold for roughly twelve years. That is quite a long time for a particular product.

The lens was introduced genetically as an Ai-S native lens despite it being introduced much earlier than some of the corresponding Nikon SLR models which requires Ai-S features for their AE exposure control. For quite a long spell of time, the lens speed of f/1.8 remained the fastest Nikkor telephoto lenses between the 90mm to 105mm focal range. Other than enabling good available light photography, the extra gain of one stop lens speed also provides greater depth of field control.

Focal length/Aperture: 105mm f/1.8
Lens construction: 5 elements in 5 groups; Picture angle: 23° 20'; Diaphragm: Automatic
Aperture scale: f/1.8 - f/22 on both standard and aperture-direct-readout scales
Maximum Reproduction ratio: 1:7.6
Exposure measurement: Via full aperture method with Ai cameras; via stop-down method with non-Ai Nikon SLR cameras

Distance scale: Graduated in meters and feet from from 1m (3.5 ft.) to infinity (oo)
Dimensions: 78.5mm dia. x 88.5mm long (overall); 80.5mm extension from lens flange
Filters: 62mm front screw-in; Lens hood: Built-in telescopic type

Optional accessories: Lens case- CL-15S hard leatherette, No.62 soft pouch or CP-9 plastic

Weight: 580g

The fastest 100-105mm class lens of its time and constructed with the fewest lens elements. This lens never disappoints, offering similarly both in top class optical performance and supreme built quality.

Magnification double that of a normal lens produces photographs which draw the viewer's eye to the subject. The combination of shallow depth of field and natural perspective ensures extraordinary life-like portraits. Other uses include candids, travel photography, sports, available-light photography and weddings.

Released in 1981, the 105mm f/1.8 Nikkor AIS (also known as AI Nikkor 105mm f/1.8S) sold for roughly twelve years. That is quite a long time for a particular product.

The lens was introduced genetically as an Ai-S native lens despite it being introduced much earlier than some of the corresponding Nikon SLR models which requires Ai-S features for their AE exposure control. For quite a long spell of time, the lens speed of f/1.8 remained the fastest Nikkor telephoto lenses between the 90mm to 105mm focal range. Other than enabling good available light photography, the extra gain of one stop lens speed also provides greater depth of field control.

Focal length/Aperture: 105mm f/1.8
Lens construction: 5 elements in 5 groups; Picture angle: 23° 20'; Diaphragm: Automatic
Aperture scale: f/1.8 - f/22 on both standard and aperture-direct-readout scales
Maximum Reproduction ratio: 1:7.6
Exposure measurement: Via full aperture method with Ai cameras; via stop-down method with non-Ai Nikon SLR cameras

Distance scale: Graduated in meters and feet from from 1m (3.5 ft.) to infinity (oo)
Dimensions: 78.5mm dia. x 88.5mm long (overall); 80.5mm extension from lens flange
Filters: 62mm front screw-in; Lens hood: Built-in telescopic type

Optional accessories: Lens case- CL-15S hard leatherette, No.62 soft pouch or CP-9 plastic

Weight: 580g

(The focus ring is slightly stiff when rotated.)

The fastest 100-105mm class lens of its time and constructed with the fewest lens elements. This lens never disappoints, offering similarly both in top class optical performance and supreme built quality.

Magnification double that of a normal lens produces photographs which draw the viewer's eye to the subject. The combination of shallow depth of field and natural perspective ensures extraordinary life-like portraits. Other uses include candids, travel photography, sports, available-light photography and weddings.

Released in 1981, the 105mm f/1.8 Nikkor AIS (also known as AI Nikkor 105mm f/1.8S) sold for roughly twelve years. That is quite a long time for a particular product.

The lens was introduced genetically as an Ai-S native lens despite it being introduced much earlier than some of the corresponding Nikon SLR models which requires Ai-S features for their AE exposure control. For quite a long spell of time, the lens speed of f/1.8 remained the fastest Nikkor telephoto lenses between the 90mm to 105mm focal range. Other than enabling good available light photography, the extra gain of one stop lens speed also provides greater depth of field control.

Focal length/Aperture: 105mm f/1.8
Lens construction: 5 elements in 5 groups; Picture angle: 23° 20'; Diaphragm: Automatic
Aperture scale: f/1.8 - f/22 on both standard and aperture-direct-readout scales
Maximum Reproduction ratio: 1:7.6
Exposure measurement: Via full aperture method with Ai cameras; via stop-down method with non-Ai Nikon SLR cameras

Distance scale: Graduated in meters and feet from from 1m (3.5 ft.) to infinity (oo)
Dimensions: 78.5mm dia. x 88.5mm long (overall); 80.5mm extension from lens flange
Filters: 62mm front screw-in; Lens hood: Built-in telescopic type

Optional accessories: Lens case- CL-15S hard leatherette, No.62 soft pouch or CP-9 plastic

Weight: 580g

The fastest 100-105mm class lens of its time and constructed with the fewest lens elements. This lens never disappoints, offering similarly both in top class optical performance and supreme built quality.

Magnification double that of a normal lens produces photographs which draw the viewer's eye to the subject. The combination of shallow depth of field and natural perspective ensures extraordinary life-like portraits. Other uses include candids, travel photography, sports, available-light photography and weddings.

Released in 1981, the 105mm f/1.8 Nikkor AIS (also known as AI Nikkor 105mm f/1.8S) sold for roughly twelve years. That is quite a long time for a particular product.

The lens was introduced genetically as an Ai-S native lens despite it being introduced much earlier than some of the corresponding Nikon SLR models which requires Ai-S features for their AE exposure control. For quite a long spell of time, the lens speed of f/1.8 remained the fastest Nikkor telephoto lenses between the 90mm to 105mm focal range. Other than enabling good available light photography, the extra gain of one stop lens speed also provides greater depth of field control.

Focal length/Aperture: 105mm f/1.8
Lens construction: 5 elements in 5 groups; Picture angle: 23° 20'; Diaphragm: Automatic
Aperture scale: f/1.8 - f/22 on both standard and aperture-direct-readout scales
Maximum Reproduction ratio: 1:7.6
Exposure measurement: Via full aperture method with Ai cameras; via stop-down method with non-Ai Nikon SLR cameras

Distance scale: Graduated in meters and feet from from 1m (3.5 ft.) to infinity (oo)
Dimensions: 78.5mm dia. x 88.5mm long (overall); 80.5mm extension from lens flange
Filters: 62mm front screw-in; Lens hood: Built-in telescopic type

Most sought after manual lens. Often used for technical purposes due to exceptional sharpness (eg. spectroscopy use which one commercial client puts the lenses to). Compact design focus on quality and no allowances made as to costs (before all prices were raised dramatically following sterling’s collapse these were retailing for £560 equivalent to some £900 today). Long “throw” on helicoid allows for pinpoint accurate and smooth focus.

An excellent choice for action photography and available light shooting. Very compact and light for a lens of this focal length. Stops down to f/32.

Boxed, like new with filters & paperwork. Full-frame fisheye images with an angle of view of 180° across the diagonal of the 24mm x 36mm picture format. Startling pictorial effects are possible because of extreme barrel distortion, virtually unlimited depth of field, and exaggerated perspective rendition. Fast f/2.8 maximum aperture produces bright images in the viewfinder, making it easy to focus accurately even in dim light. High contrast images even at full aperture are assured because this lens is extremely well corrected for chromatic aberration. Standard equipment includes a built-in scalloped lens hood to minimize flair when shooting against the light and a set of 4 filters (skylight, orange, light amber, and light blue) which bayonet onto the back of the lens.Focal length/ Aperture- 16mm f/2.8, Lens construction-8 elements in 5 groups. Distance scale- Graduated in metres and feet from 0.3m (1ft) to infinity (∞).

Full-frame fisheye images with an angle of view of 180° across the diagonal of the 24mm x 36mm picture format. Startling pictorial effects are possible because of extreme barrel distortion, virtually unlimited depth of field, and exaggerated perspective rendition. Fast f/2.8 maximum aperture produces bright images in the viewfinder, making it easy to focus accurately even in dim light. High contrast images even at full aperture are assured because this lens is extremely well corrected for chromatic aberration. Standard equipment includes a built-in scalloped lens hood to minimize flair when shooting against the light and a set of 4 filters (skylight, orange, light amber, and light blue) which bayonet onto the back of the lens.Focal length/ Aperture- 16mm f/2.8, Lens construction-8 elements in 5 groups. Distance scale- Graduated in metres and feet from 0.3m (1ft) to infinity (∞).

Ultra-wide 100° picture coverage with edge-to-edge sharpness. Bright f/3.5 maximum aperture insures rapid composing and accurate, pinpoint focusing even in dim light. Close-Range Correction System gives close focus down to 0.25m (0.82 ft.) without any loss of sharpness. Extremely wide field coverage, depth of field, and freedom from distortion make this lens an excellent choice for architectural and scenic photography as well as for picture taking in cramped quarters. Retailed for over £1400 and in great demand by precision photographers requiring the control offered by manual lenses.

Incredibly rare find! With original hood and CL-28 case.
Presented at the 1974 Photokina Exhibition the 18mm f/4 Nikkor has an angle of view of 100°, an aperture scale of f/4 to f/22, the closest focusing distance is 12" (30cm) and comprises 13 elements in 9 groups. The filter thread is 86mm and will accept series IX (9) filters in combination with HN-15 lens hood. It weighs 315g. It combines an exceptionally wide picture angle with a relatively compact and lightweight body, thus effectively bridging the gap between the large ultra-wide-angle lenses and the more compact standard ultra-wide-angle lenses of 20mm and 24mm. In 1977 the lens was converted to AI and the first serial number was 190001. It ceased production in March 1982.

Incredibly rare find! With original hood and CL-28 case. Presented at the 1974 Photokina Exhibition the 18mm f/4 Nikkor has an angle of view of 100°, an aperture scale of f/4 to f/22, the closest focusing distance is 12" (30cm) and comprises 13 elements in 9 groups. The filter thread is 86mm and will accept series IX (9) filters in combination with HN-15 lens hood. It weighs 315g. It combines an exceptionally wide picture angle with a relatively compact and lightweight body, thus effectively bridging the gap between the large ultra-wide-angle lenses and the more compact standard ultra-wide-angle lenses of 20mm and 24mm. In 1977 the lens was converted to AI and the first serial number was 190001. It ceased production in March 1982.

Large f/2.8 maximum aperture for bright viewfinder image and pinpoint focusing even in dim light. Ultra- wide 94° picture coverage with edge to edge sharpness. Tremendous depth of field enables no-focus quick shooting and action photography. Close- range- correction (CRC) System assures center- to - edge sharpness even at close range. Distortion- free pictures even at minimum distance of 0.25mm (0.85 ft). Retrofocus design means virtually no corner light fall- off even when wide open. Lens construction-12 elements in 9 groups. Picture angle 94°. Diaphragm- Automatic. Aperture scale- f/2.8~ f/22 on both standard and aperture- direct- readout scales. Distance scale- Graduated in metres and feet from 0.25m (0.85 ft) to infinity (∞). Weight- 260g. Dimensions- 65mm dia. x 42.5mm extension from lens flange; 54mm long (overall). Front lens cap- Snap-on. Lens hood- HK-14 slip-on type. Lens case- CL-30S hard leatherette, No. 61 soft pouch, or CP-8 plastic.

Large f/2.8 maximum aperture for bright viewfinder image and pinpoint focusing even in dim light. Ultra- wide 94° picture coverage with edge to edge sharpness. Tremendous depth of field enables no-focus quick shooting and action photography. Close- range- correction (CRC) System assures center- to - edge sharpness even at close range. Distortion- free pictures even at minimum distance of 0.25mm (0.85 ft). Retrofocus design means virtually no corner light fall- off even when wide open. Lens construction-12 elements in 9 groups. Picture angle 94°. Diaphragm- Automatic. Aperture scale- f/2.8~ f/22 on both standard and aperture- direct- readout scales. Distance scale- Graduated in metres and feet from 0.25m (0.85 ft) to infinity (∞). Weight- 260g. Dimensions- 65mm dia. x 42.5mm extension from lens flange; 54mm long (overall). Front lens cap- Snap-on. Lens hood- HK-14 slip-on type. Lens case- CL-30S hard leatherette, No. 61 soft pouch, or CP-8 plastic.

Large f/2.8 maximum aperture for bright viewfinder image and pinpoint focusing even in dim light. Ultra- wide 94° picture coverage with edge to edge sharpness. Tremendous depth of field enables no-focus quick shooting and action photography. Close- range- correction (CRC) System assures center- to - edge sharpness even at close range. Distortion- free pictures even at minimum distance of 0.25mm (0.85 ft). Retrofocus design means virtually no corner light fall- off even when wide open. Lens construction-12 elements in 9 groups. Picture angle 94°. Diaphragm- Automatic. Aperture scale- f/2.8~ f/22 on both standard and aperture- direct- readout scales. Distance scale- Graduated in metres and feet from 0.25m (0.85 ft) to infinity (∞). Weight- 260g. Dimensions- 65mm dia. x 42.5mm extension from lens flange; 54mm long (overall). Front lens cap- Snap-on. Lens hood- HK-14 slip-on type. Lens case- CL-30S hard leatherette, No. 61 soft pouch, or CP-8 plastic.

Wide 84° picture of angle an extra depth of field make this land suitable for a great many photographic situations, including sports, candids, landscapes, night lights, architecture and interiors. Large f/2 maximum aperture is ideal for available-light shooting – important advantage in photojournalism and travel photography. Highly portable with a weight of 300g. Superb picture quality, even at a distance as close as 0.3 m (1ft.) is possible, thanks to Nikon’s Close Range Correction system. 11 elements in 10 groups. distance scale graduated in metres and feet from 0.3m (1ft.) to infinity. Filters: 52mm front screw-in. Accepts HK-2 slip-on lens hood, CL-30 hard case or No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

The 24mm f/2 lens retailed at £990 just prior to discontinuation (and prior to massive price increases). Too expensive to manufacture, this lens set various milestones in offering a wide angle and wide aperture and the manual versions offered a long “throw” enabling precise finger movement of the helicoid focus for pinpoint accuracy. An amazing optic, silky smooth focus and fully guaranteed for 12 months.

Wide 84° picture of angle an extra depth of field make this land suitable for a great many photographic situations, including sports, candids, landscapes, night lights, architecture and interiors. Large f/2 maximum aperture is ideal for available-light shooting – important advantage in photojournalism and travel photography. Highly portable with a weight of 300g. Superb picture quality, even at a distance as close as 0.3 m (1ft.) is possible, thanks to Nikon’s Close Range Correction system. 11 elements in 10 groups. distance scale graduated in metres and feet from 0.3m (1ft.) to infinity. Filters: 52mm front screw-in. Accepts HK-2 slip-on lens hood, CL-30 hard case or No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

The 24mm f/2 lens retailed at £990 just prior to discontinuation (and prior to massive price increases). Too expensive to manufacture, this lens set various milestones in offering a wide angle and wide aperture and the manual versions offered a long “throw” enabling precise finger movement of the helicoid focus for pinpoint accuracy. An amazing optic, silky smooth focus and fully guaranteed for 12 months.

Wide 84° picture of angle an extra depth of field make this land suitable for a great many photographic situations, including sports, candids, landscapes, night lights, architecture and interiors. Large f/2 maximum aperture is ideal for available-light shooting – important advantage in photojournalism and travel photography. Highly portable with a weight of 300g. Superb picture quality, even at a distance as close as 0.3 m (1ft.) is possible, thanks to Nikon’s Close Range Correction system. 11 elements in 10 groups. distance scale graduated in metres and feet from 0.3m (1ft.) to infinity. Filters: 52mm front screw-in. Accepts HK-2 slip-on lens hood, CL-30 hard case or No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

The 24mm f/2 lens retailed at £990 just prior to discontinuation (and prior to massive price increases). Too expensive to manufacture, this lens set various milestones in offering a wide angle and wide aperture and the manual versions offered a long “throw” enabling precise finger movement of the helicoid focus for pinpoint accuracy. An amazing optic, silky smooth focus and fully guaranteed for 12 months.

Wide 84° picture of angle an extra depth of field make this land suitable for a great many photographic situations, including sports, candids, landscapes, night lights, architecture and interiors. Large f/2 maximum aperture is ideal for available-light shooting – important advantage in photojournalism and travel photography. Highly portable with a weight of 300g. Superb picture quality, even at a distance as close as 0.3 m (1ft.) is possible, thanks to Nikon’s Close Range Correction system. 11 elements in 10 groups. distance scale graduated in metres and feet from 0.3m (1ft.) to infinity. Filters: 52mm front screw-in. Accepts HK-2 slip-on lens hood, CL-30 hard case or No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

The 24mm f/2 lens retailed at £990 just prior to discontinuation (and prior to massive price increases). Too expensive to manufacture, this lens set various milestones in offering a wide angle and wide aperture and the manual versions offered a long “throw” enabling precise finger movement of the helicoid focus for pinpoint accuracy. An amazing optic, silky smooth focus and fully guaranteed for 12 months.

The AI equivalents of the 24mm f/2.8 manual lens are particularly sought after on account of the longer "throw" and hence facility for precision of focus. The current price of the AIS version is listed at £700.

Wide 84″ picture angle lets you shoot a variety of subjects – people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups – up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction – 9 elements in 9 groups. Picture angle – 84°. Diaphragm – Automatic. Distance scale – Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight – 250g. Dimensions – 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood – HN-1 screw in type. Lens case – CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter – TC-201 or TC-14A.

Wide 84″ picture angle lets you shoot a variety of subjects – people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups – up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction – 9 elements in 9 groups. Picture angle – 84°. Diaphragm – Automatic. Distance scale – Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight – 250g. Dimensions – 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood – HN-1 screw in type. Lens case – CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter – TC-201 or TC-14A.

With box. Wide 84″ picture angle lets you shoot a variety of subjects – people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups – up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction – 9 elements in 9 groups. Picture angle – 84°. Diaphragm – Automatic. Distance scale – Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight – 250g. Dimensions – 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood – HN-1 screw in type. Lens case – CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter – TC-201 or TC-14A.

Boxed. Wide 84″ picture angle lets you shoot a variety of subjects – people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups – up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction – 9 elements in 9 groups. Picture angle – 84°. Diaphragm – Automatic. Distance scale – Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight – 250g. Dimensions – 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood – HN-1 screw in type. Lens case – CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter – TC-201 or TC-14A.

Wide 84″ picture angle lets you shoot a variety of subjects – people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups – up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction – 9 elements in 9 groups. Picture angle – 84°. Diaphragm – Automatic. Distance scale – Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight – 250g. Dimensions – 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood – HN-1 screw in type. Lens case – CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter – TC-201 or TC-14A.

Wide 84" picture angle lets you shoot a variety of subjects - people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups - up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction - 9 elements in 9 groups. Picture angle - 84°. Diaphragm - Automatic. Distance scale - Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight - 250g. Dimensions - 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood - HN-1 screw in type. Lens case - CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter - TC-201 or TC-14A.

Wide 84° picture of angle an extra depth of field make this land suitable for a great many photographic situations, including sports, candids, landscapes, night lights, architecture and interiors. Large f/2 maximum aperture is ideal for available-light shooting – important advantage in photojournalism and travel photography. Highly portable with a weight of 300g. Superb picture quality, even at a distance as close as 0.3 m (1ft.) is possible, thanks to Nikon’s Close Range Correction system. 11 elements in 10 groups. distance scale graduated in metres and feet from 0.3m (1ft.) to infinity. Filters: 52mm front screw-in. Accepts HK-2 slip-on lens hood, CL-30 hard case or No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

The 24mm f/2 lens retailed at £990 just prior to discontinuation (and prior to massive price increases). Too expensive to manufacture, this lens set various milestones in offering a wide angle and wide aperture and the manual versions offered a long “throw” enabling precise finger movement of the helicoid focus for pinpoint accuracy. An amazing optic, silky smooth focus and fully guaranteed for 12 months.

Wide 84" picture angle lets you shoot a variety of subjects - people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups - up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction - 9 elements in 9 groups. Picture angle - 84°. Diaphragm - Automatic. Distance scale - Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight - 250g. Dimensions - 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood - HN-1 screw in type. Lens case - CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter - TC-201 or TC-14A.

Wide 84″ picture angle lets you shoot a variety of subjects – people in their surroundings, scenics, buildings, interiors, etc. Close-Range correction system guarantees centre-to-edge sharpness even at a minimum focusing distance of 0.3m (1ft). Excellent for high-magnification close-ups – up to slightly more than 10X magnification is possible by mounting the lens in reverse on a bellows unit.

Uses standard 52mm filters. Lens construction – 9 elements in 9 groups. Picture angle – 84°. Diaphragm – Automatic. Distance scale – Graduated in metres and feet from 0.3m (1ft) to infinity (∞). Weight – 250g. Dimensions – 63mm dia. x 46mm extension from lens flange; 57mm long (overall). Lens hood – HN-1 screw in type. Lens case – CL-30S hard leatherette, No. 61 soft pouch or CP-8 plastic. Usable teleconverter – TC-201 or TC-14A.

Coated N-C version of this lens recently serviced.

A picture angle of 74° makes it ideal for candids, group shots, land and city scapes, sports, travel photography, architecture and interiors. Sharp images from center to edges at all apertures - very well corrected for coma and spherical aberration. A large maximum aperture is great for available light photography. Has a floating element system for improved close focusing performance, down to one foot (0.3 meters). Close-Range Correction System insures high image resolution even at a minimum shooting distance of 0.2m (0.9 ft.) Lens construction: 9 elements in 8 groups Aperture scale: f/2 ~ f/22 Distance scale: Graduated in meters and feet from 0.25m (0.9ft.) to infinity (∞) Weight: 360g Accessories not included: Lens hood: HN-1 screw-in type Lens case: CL-31S hard leatherette, No. 62 soft pouch or CP-8 plastic domed keeper

Boxed and complete. Telephoto picture coverage of 8°10'. Internal Focusing (IF) design for easy handling. Extra-Low Dispersion (ED) glass for outstanding picture quality. Focusing ring allows adjustment to a particular click-stop setting for rapid focusing. Special slip in filter holder accepts 39mm screw-in filters. Built in telescopic lens hood and rotatable tripod socket collar.

Boxed. An exceptionally compact and lightweight lens for its focal length, the 300mm f/4.5 is perfect for mobile wildlife photography. A telephoto picture coverage of 8°10'. Internal Focusing (IF) design for easy handling and smooth focusing down to a close 10 feet (2.5m). Extra-Low Dispersion (ED) glass for outstanding picture quality. Very lightweight, only 990 grams. Built in telescopic lens hood and rotating tripod socket. Accepts standard Nikon 72mm filters, supplied separately.

An exceptionally compact and lightweight lens for its focal length, the 300mm f/4.5 is perfect for mobile wildlife photography. A telephoto picture coverage of 8°10'. Internal Focusing (IF) design for easy handling and smooth focusing down to a close 10 feet (2.5m). Extra-Low Dispersion (ED) glass for outstanding picture quality. Very lightweight, only 990 grams. Built in telescopic lens hood and rotating tripod socket. Accepts standard Nikon 72mm filters, supplied separately.

Technical Highlights: * Extremely narrow 2°30' picture angle produces spectacular 20X magnification of the subject (when compared with a "standard" lens). Focusing range: 25 ft (8m) to infinity. Built-in filters: L37 UV, Y48 Yellow, O56 Orange and R60 Red. Weight: 1.9kg. * Dramatic images are possible in sports, wildlife, travel and astrophotography. * Catadioptric (mirror) design eliminates chromatic aberration for outstanding picture quality. * Very compact and light for its long focal length. * Detachable focusing handle with two screw-in positions allows rapid focusing down to a close 8m (25 ft.). * Telescopic lens hood. * Built-in tripod socket collar rotates 360°, allowing quick change from horizontal- to vertical-format shooting without tripod adjustment. Worthy of a trial to see the amazing facility offered. Accessories: CL-29 hard case, usable teleconverter: TC-200*, TC-300** or TC-14**. (*Usable, but there is occasional vignetting. **Usable, if the rear screw-in filter is removed.)

The fastest of all Nikkor wide angle lenses; exceptionally large f/1.4 maximum aperture provides a bright viewfinder image and makes pinpoint focusing easy, even indoors or in dim light. Additional depth of field makes it ideal for "grab shots". Close range correction system permits extraordinary resolution and sharpness, even at 0.3m (1ft.). Ideal indoors or out, with or without flash, for taking sports, snapshots, candids, portraits of people in their surroundings, weddings and nudes. Lens construction- 9 elements in 7 groups. Picture angle- 62°. Diaphragm- Automatic. Distance scale- Graduated in meters and feet from 0.3m (1ft.) to infinity (∞). Weight- 400g. Dimensions- 67.5mm dia. x 62mm extension from lens flange; 74mm long (overall). Filters- 52mm front screw in type. Front lens cap- Snap on.
Accessories not included: Lens hood- HN-3 screw in type. Lens case- CL-31S hard leatherette, No. 61 soft pouch, or CP- 8 plastic. Usable teleconverter- TC-201 or TC-14A.

Very rare find! Demonstrated only a few times - complete with ballistic case and accessories.

Very rare find! Complete with ballistic case and accessories.

Super-telephoto picture coverage of 6°10'. Internal Focusing (IF) design for easy handling and smooth focusing down to 15 feet (4m). 7 elements in 6 groups. Extra-Low Dispersion glass for outstanding picture quality. Focusing ring allows adjustment to a particular click-stop setting for rapid refocusing. Built-in telescopic hood and rotatable tripod socket. Accepts standard Nikon 72mm filters, supplied separately.

A super-telephoto lens, light and compact enough to handhold. Super-Telephoto picture coverage of 6°10'. Extra-Low Dispersion (ED) glass for outstanding picture quality. Built-in telescopic lens hood. Accepts standard Nikon 72mm filters, sold separately.

Boxed and complete. The GN Auto Nikkor is designed to simplify flash photography. As its name GN (guide number) suggests, the lens employs the guide number coupling system for automatic diaphragm adjustment. With any ordinary lens, aperture size must be adjusted for each different shooting distance with flashbulbs or non-automatic mode with an electronic flash. Aperture size for each shooting distance needs to be calculated, using the guide number equation with the flash unit that you are using if the GN Nikkor is not employed. When the GN control is disconnected, the lens acts like an ordinary compact 45mm standard lens (sometimes referred to as a “pancake” lens due to small size). By disengaging the GN coupling device, the lens can be coupled with camera exposure meters for full aperture exposure measurement. The 7-bladed polygonal diaphragm, designed to form an almost circular aperture around the most commonly used f/8 setting, reduces the effects of light diffraction to the minimum. It can be stopped down to f/32. The lens is particularly popular due to two major qualities 1) Exceptional sharpness and 2) Exceptional compactness.

Lens construction: 4 elements in 3 groups Picture angle: 50°(41°50' with IX240 cameras, 34°50' with Nikon DSLRs) Focusing scale graduated in metres and feet from 0.45m (2ft.) to infinity Aperture scale: f/2.8-f/22 Filter thread: 52mm Weight: 120g (4.2oz) Dedicated accessories: 52mm NC filter, HN-35 lens hood, flexible lens pouch complete in maker's box. Last of the brand new stock.

Comes with pouch, silver hood and filter and black front lens cap. Lens construction: 4 elements in 3 groups Picture angle: 50°(41°50' with IX240 cameras, 34°50' with Nikon DSLRs) Focusing scale graduated in metres and feet from 0.45m (2ft.) to infinity Aperture scale: f/2.8-f/22 Filter thread: 52mm Weight: 120g (4.2oz) Dedicated accessories: 52mm NC filter, HN-35 lens hood, flexible lens pouch

Boxed and complete with hood, filter, pouch and manual. Mint save for some slight marks on the lens cap. A fantastic example!
Lens construction: 4 elements in 3 groups Picture angle: 50°(41°50' with IX240 cameras, 34°50' with Nikon DSLRs) Focusing scale graduated in metres and feet from 0.45m (2ft.) to infinity Aperture scale: f/2.8-f/22 Filter thread: 52mm Weight: 120g (4.2oz) Dedicated accessories: 52mm NC filter, HN-35 lens hood, flexible lens pouch.

Boxed, comes with hood and strap. Picture angle: 5° Optical construction: 8 elements in 6 groups Minimum focusing distance: 5m Filter mount: 1 special holder for 39mm filter; 1 special holder for gelatine filter; front end of lens has a built-in UV filter Special features: electronic data exchange between lens and camera Lens hood: Built-in telescopic lens hood HK-17 Tripod socket: rotatable Metal case: Supplied CT-500 Dimensions: 138m Ø x 384mm Weight: 3000g

Picture angle: 5°
Optical construction: 8 elements in 6 groups
Minimum focusing distance: 5m
Filter mount: 1 special holder for 39mm filter; 1 special holder for gelatine filter; front end of lens has a built-in UV filter
Special features: electronic data exchange between lens and camera
Lens hood: Built-in telescopic lens hood HK-17
Tripod socket: rotatable
Metal case: Supplied CT-500
Dimensions: 138m Ø x 384mm
Weight: 3000g
There are small marks on tripod foot.

Picture angle: 5°
Optical construction: 8 elements in 6 groups
Minimum focusing distance: 5m
Filter mount: 1 special holder for 39mm filter; 1 special holder for gelatine filter; front end of lens has a built-in UV filter
Special features: electronic data exchange between lens and camera
Lens hood: Built-in telescopic lens hood HK-17
Tripod socket: rotatable
Metal case: Supplied CT-500
Dimensions: 138m Ø x 384mm
Weight: 3000g

Angle of view: 5° Closest focus: 13ft (4 m) Elements: 5 elements in 3 groups Coating: Multi-layer Nikon Integrated Coating Filter thread diameter: 39mm rear fitting Dimensions: 3.7 x 5.6" (93 x 141.5mm) Weight: 1 kg December: 1968 Lens hood: screw-in In April 1974, the reflex Nikkor lenses acquired a new coating and 'Reflex-Nikkor C' engraving.

Large maximum aperture of f/1.2 provides bright and easy-to-focus images in the viewfinder and allows shooting under adverse lighting conditions. Superb image quality- extremely well corrected for comma and spherical aberration. Ideal for candids, scenes, and available-light shooting. Lens construction- 7 elements in 6 groups. Picture angle- 46°. Distance scale- Graduated in metres and feet from 0.5m (1.7ft.) to infinity (∞). Weight- 380g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-12 snap-on type, HR-2 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A.

Large maximum aperture of f/1.2 provides bright and easy-to-focus images in the viewfinder and allows shooting under adverse lighting conditions. Superb image quality- extremely well corrected for comma and spherical aberration. Ideal for candids, scenes, and available-light shooting. Lens construction- 7 elements in 6 groups. Picture angle- 46°. Distance scale- Graduated in metres and feet from 0.5m (1.7ft.) to infinity (∞). Weight- 380g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-12 snap-on type, HR-2 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A.

Large maximum aperture of f/1.2 provides bright and easy-to-focus images in the viewfinder and allows shooting under adverse lighting conditions. Superb image quality- extremely well corrected for comma and spherical aberration. Ideal for candids, scenes, and available-light shooting. Lens construction- 7 elements in 6 groups. Picture angle- 46°. Distance scale- Graduated in metres and feet from 0.5m (1.7ft.) to infinity (∞). Weight- 380g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-12 snap-on type, HR-2 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A.

One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight- 250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight- 250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight- 250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

Complete with maker's box. One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight- 250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight- 250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight- 250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

Boxed.

One of the most widely used lenses in all of photography. Fast enough to shoot in any type of light. Distortion-free images with superb resolution, contrast and colour rendition. A light 250 grams. Ideal for candids, full-length portraits, landscapes, travel photography, sports, pets and zoo animals, night lights, available-light shooting and photography in general. Lens construction: 7 elements in 6 groups, Picture angle- 46°. Distance scale: Graduated in meters and feet from 0.45m (1.5ft.) to infinity (∞). Weight-250g. Filters- 52mm front screw-in. Front lens cap- snap-on. Lens hood- HS-9 snap-on type; HR-1 rubber screw-in type. Lens case- CL-34A hard leatherette, N0.61 soft pouch, or CP-8 plastic. Usable teleconverter- TC-201 or TC-14A

The final version of the classic 50mm Nikkor lens. This is Nikon's best manual-focus 50mm f/1.8 lens of all time. Nicknamed "Pancake," it has the same stellar mechanical and optical quality of earlier lenses, but in a much smaller and lighter package. This is the sharpest 50mm manual-focus lens you can get for your Nikon.

• short nose
• first 50/1.8 AIS «New» lens was #4000001
• 6 elements in 5 groups
• picture angle 46°
• stepped front ring, filter ∅ 52mm
• plastic focusing ring
• distance scale graduated in meters and feet from 0.6m (2 ft) to infinity (∞)
• «MADE IN JAPAN» on black focusing ring («M» with vertical sides)
• narrow aperture setting ring without prong
• AIS coupled
• aperture scale f/1.8 to f/22
• 7 iris blades
• bayonet fixed by 3 cross-head screws
• dimensions approx. 63.5 ∅ x 36.5 mm
• weight approx. 145g
• Nikon 52mm snap-on front lens cap
• Nikon LF-1 rear lens cap
• Nikon HS-11 52mm snap-on lens hood
• Nikon L1Bc 52mm screw-in filter, black rim

The final version of the classic 50mm Nikkor lens. This is Nikon's best manual-focus 50mm f/1.8 lens of all time. Nicknamed "Pancake," it has the same stellar mechanical and optical quality of earlier lenses, but in a much smaller and lighter package. This is the sharpest 50mm manual-focus lens you can get for your Nikon.

• short nose
• first 50/1.8 AIS «New» lens was #4000001
• 6 elements in 5 groups
• picture angle 46°
• stepped front ring, filter ∅ 52mm
• plastic focusing ring
• distance scale graduated in meters and feet from 0.6m (2 ft) to infinity (∞)
• «MADE IN JAPAN» on black focusing ring («M» with vertical sides)
• narrow aperture setting ring without prong
• AIS coupled
• aperture scale f/1.8 to f/22
• 7 iris blades
• bayonet fixed by 3 cross-head screws
• dimensions approx. 63.5 ∅ x 36.5 mm
• weight approx. 145g
• Nikon 52mm snap-on front lens cap
• Nikon LF-1 rear lens cap
• Nikon HS-11 52mm snap-on lens hood
• Nikon L1Bc 52mm screw-in filter, black rim

The final version of the classic 50mm Nikkor lens. This is Nikon's best manual-focus 50mm f/1.8 lens of all time. Nicknamed "Pancake," it has the same stellar mechanical and optical quality of earlier lenses, but in a much smaller and lighter package. This is the sharpest 50mm manual-focus lens you can get for your Nikon.

• short nose
• first 50/1.8 AIS «New» lens was #4000001
• 6 elements in 5 groups
• picture angle 46°
• stepped front ring, filter ∅ 52mm
• plastic focusing ring
• distance scale graduated in meters and feet from 0.6m (2 ft) to infinity (∞)
• «MADE IN JAPAN» on black focusing ring («M» with vertical sides)
• narrow aperture setting ring without prong
• AIS coupled
• aperture scale f/1.8 to f/22
• 7 iris blades
• bayonet fixed by 3 cross-head screws
• dimensions approx. 63.5 ∅ x 36.5 mm
• weight approx. 145g
• Nikon 52mm snap-on front lens cap
• Nikon LF-1 rear lens cap
• Nikon HS-11 52mm snap-on lens hood
• Nikon L1Bc 52mm screw-in filter, black rim

The final version of the classic 50mm Nikkor lens. This is Nikon's best manual-focus 50mm f/1.8 lens of all time. Nicknamed "Pancake," it has the same stellar mechanical and optical quality of earlier lenses, but in a much smaller and lighter package. This is the sharpest 50mm manual-focus lens you can get for your Nikon.

• short nose
• first 50/1.8 AIS «New» lens was #4000001
• 6 elements in 5 groups
• picture angle 46°
• stepped front ring, filter ∅ 52mm
• plastic focusing ring
• distance scale graduated in meters and feet from 0.6m (2 ft) to infinity (∞)
• «MADE IN JAPAN» on black focusing ring («M» with vertical sides)
• narrow aperture setting ring without prong
• AIS coupled
• aperture scale f/1.8 to f/22
• 7 iris blades
• bayonet fixed by 3 cross-head screws
• dimensions approx. 63.5 ∅ x 36.5 mm
• weight approx. 145g
• Nikon 52mm snap-on front lens cap
• Nikon LF-1 rear lens cap
• Nikon HS-11 52mm snap-on lens hood
• Nikon L1Bc 52mm screw-in filter, black rim

First version of the AIS lens. Picture coverage of 46° produces pictures with natural perspective. Relatively fast f/1.8 maximum aperture provides bright and easy-to-focus images in the viewfinder. A light lens at 220 grams. Stops down to f/22 for additional depth-of-field. Takes 52mm filters. Popular for general photography - scenery, children and landscapes. Lens construction: 6 elements in 5 groups. Distance scale: Graduated in meters and feet from 0.45m (1.5ft) to infinity (∞). Accessories (not included): HR-1 screw in rubber lens hood.

Boxed. Picture coverage of 46° produces pictures with natural perspective. Relatively fast f/1.8 maximum aperture provides bright and easy-to-focus images in the viewfinder. Remarkably light at 135 grams. Stops down to f/22 for additional depth-of-field. Takes 52mm filters. Popular for general photography - scenery, children and landscapes. Lens construction: 6 elements in 5 groups. Distance scale: Graduated in metres and feet from 0.6m (2ft) to infinity (∞). Accessories (not included): HR-4 screw in rubber lens hood, lens case: CL-30S or No. 61 soft pouch. Usable teleconverter: TC-200 or TC-201 2x teleconverters. Nikon Series E Lenses: In addition Nikkor lenses, Nikon produced a group of small, light, and affordable lenses, called Nikon Series E. These lenses use the very same optical glass and feature the same rugged Nikon bayonet mount as a regular Nikkor lenses; the only difference is that they have been pared down in size and weight and reduced in price to make them more attractive to the beginning hobbyist as well as the seasoned amateur. Nikon Series E lenses give you legendary Nikon quality.

Boxed and complete. EXCEPTIONAL! Nikon's longest refracting prime lens of remarkable sharpness. RRP £8,250 BEFORE the sterling collapse and ensuing price increases. Offered here with flight case, hood, caps and a full 12 month warranty. Superlative price performance!

Natural perspective and superlative image sharpness. At f/1.4, it is the fastest telephoto in the Nikkor lineup, providing an exceptionally bright viewfinder image and critical, pinpoint focusing. Beautiful selective focus at maximum aperture makes this lens most suitable for pictures of people. Lens construction- 7 elements in 5 groups. Picture angle- 28° 30´. Distance scale- Graduated in metres and feet from 0.85m (3ft.) to infinity (∞). Weight- 620g. Filters- 72mm front screw-in. Lens hood- HN-20 screw-in type. Lens case- CL-17 hard leatherette, No. 62 soft pouch or CP-9 plastic. Usable teleconverter- TC-201 or TC-14A.

Natural perspective and superlative image sharpness. At f/1.4, it is the fastest telephoto in the Nikkor line-up, providing an exceptionally bright viewfinder image and critical, pinpoint focusing. Beautiful selective focus at maximum aperture makes this lens most suitable for pictures of people. Lens construction- 7 elements in 5 groups. Picture angle- 28° 30´. Distance scale- Graduated in metres and feet from 0.85m (3ft.) to infinity (∞). Weight- 620g. Filters- 72mm front screw-in. Lens hood- HN-20 screw-in type. Lens case- CL-17 hard leatherette, No. 62 soft pouch or CP-9 plastic. Usable teleconverter- TC-201 or TC-14A.

A classic lens for portraiture either indoor or outdoor. Large f/2 maximum aperture is very helpful in shooting indoor sports or stage productions in dim light. Subtle blurring of the background for beautifully natural and evocative pictures. Exceptionally compact and light for a telephoto lens. Focuses down to a close 0.85m (3ft.). 5 elements in 5 groups. 28° 30', Distance scale: graduated in meters and feet from 0.5m (3ft.) to infinity (∞). Weight: 310g. Accepts HS-10 lens hood, CL-31S hard case, No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

A classic lens for portraiture either indoor or outdoor. Large f/2 maximum aperture is very helpful in shooting indoor sports or stage productions in dim light. Subtle blurring of the background for beautifully natural and evocative pictures. Exceptionally compact and light for a telephoto lens. Focuses down to a close 0.85m (3ft.). 5 elements in 5 groups. 28° 30', Distance scale: graduated in meters and feet from 0.5m (3ft.) to infinity (∞). Weight: 310g. Accepts HS-10 lens hood, CL-31S hard case, No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201. Coating slightly worn away on rear of barrel in a few places - quite subtle to the eye.

A classic lens for portraiture either indoor or outdoor. Large f/2 maximum aperture is very helpful in shooting indoor sports or stage productions in dim light. Subtle blurring of the background for beautifully natural and evocative pictures. Exceptionally compact and light for a telephoto lens. Focuses down to a close 0.85m (3ft.). 5 elements in 5 groups. 28° 30', Distance scale: graduated in meters and feet from 0.5m (3ft.) to infinity (∞). Weight: 310g. Accepts HS-10 lens hood, CL-31S hard case, No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

A classic lens for portraiture either indoor or outdoor. Large f/2 maximum aperture is very helpful in shooting indoor sports or stage productions in dim light. Subtle blurring of the background for beautifully natural and evocative pictures. Exceptionally compact and light for a telephoto lens. Focuses down to a close 0.85m (3ft.). 5 elements in 5 groups. 28° 30', Distance scale: graduated in meters and feet from 0.5m (3ft.) to infinity (∞). Weight: 310g. Accepts HS-10 lens hood, CL-31S hard case, No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

A classic lens for portraiture either indoor or outdoor. Large f/2 maximum aperture is very helpful in shooting indoor sports or stage productions in dim light. Subtle blurring of the background for beautifully natural and evocative pictures. Exceptionally compact and light for a telephoto lens. Focuses down to a close 0.85m (3ft.). 5 elements in 5 groups. 28° 30', Distance scale: graduated in meters and feet from 0.5m (3ft.) to infinity (∞). Weight: 310g. Accepts HS-10 lens hood, CL-31S hard case, No. 61 soft pouch. Usable teleconverter: TC-200 & TC-201.

All-encompassing 180° fisheye coverage produces a circular image on the film; everything in front of the camera is included in the picture. Bright f/2.8 aperture makes it easy to view and focus, even in dim light. Close focusing down to 0.3m (1ft). Rapid changing of filters- 5 filters (skylight, medium yellow, dark yellow, orange, and red) are built into a revolving turret inside the lens. Truly creative pictorial effects impossible with any other type of lens; extreme barrel distortion makes lines bow in, while exaggerated perspective makes objects close to the lens very large indeed. Used in science and industry for weather and cloud observation, astronomical studies, surveillance work, and for photographing inside confined areas, such as airplane cockpits, tunnels, pipelines, heating or air conditioning conduits, etc.Lens construction- 10 elements in 8 groups, Distance scale- graduate in metres and feet from 0.3m (1ft.) to infinity (∞), Weight- 1100g, Lens case- CL-11 hard leatherette, Usable teleconverter- TC-201 or TC-14A.

Opportunity to acquire a most useful part no longer available in Japan. Due to bulk purchase of remaining stocks, we are able to offer sets with 2 original screws at a special price for the first time on our website. These will replace missing or bent prongs ("rabbit ears") with new original Nikon parts.

Nikon Lens Scope converter: It's a telescope. It's a precision magnification tool. It's excellent for field observation work like bird-watching or amateur surveying. It's Nikon's this first Lens Scope Converter and, like all Nikon fine optical products, it's a high quality accurate instrument that will give you years of excellent service. Used with Nikkor lenses for SLR and DSLR cameras, it will transform your lens into a telescope with magnification that's 1/10 the focal length of the lens in use. The image you see at the centre of the focusing screen with the lens is attached to a camera is big - approximately 10mm in diameter; details show up sharp and clear. The colours are natural and true to life, because Nikon made sure all chromatic aberrations are corrected. For convenient focusing, the Nikon lens Scope Converter provides a convenient dioptre adjustment ring, with is adjustments from -5 to + 3 dioptres.

RARE - COLLECTOR'S GRADE - BRAND NEW! COMES WITH EXTERNAL WHITE BOX, INTERNAL GOLD BOX, INSTRUCTION MANUAL FOR BOTH CAMERA AND LENS, TRIPOD BASE PROTECTOR AND SHUTTER GUARD (TO BE REMOVED PRIOR TO FIRST USE)To celebrate the new Millennium Year 2000 (The Chinese Year of the Dragon), Nikon released the Nikon FM2 Millennium Edition. The camera has special markings: a Chinese-style golden Dragon sits above the self-timer and has matching serial numbers for the camera body and 50mm f/1.4 Nikkor AIS lens. It is presented in a rich gold maker’s box with a red satin lining, a white outer shipping carton, warranty card, instruction manual and certificate of authenticity signed by Mr. Michio Kariya, President Nikon Imaging Company, Japan.

The Dragon is one of the 12-year cycle of animals which appear in the Chinese zodiac related to the Chinese calendar, and the only animal that is legendary. The Year 2000 is a Chinese Golden Dragon Year.

Picture angle: 23° Optical construction: 10 elements in 9 groups Minimum distance: 0.41 m (M = 1:2) Aperture range: f/2.8-f/32 Filter mount: 52mm Dimensions: 66.5mm Ø x 83.5mm Weight: 515g With the PN-1 auto extension ring, the reproduction ratio can extended to: 1:0.88 Accessories (not included): HS-14 lens hood CL-33S hard case

Picture angle: 23° Optical construction: 10 elements in 9 groups Minimum distance: 0.41 m (M = 1:2) Aperture range: f/2.8-f/32 Filter mount: 52mm Dimensions: 66.5mm Ø x 83.5mm Weight: 515g With the PN-1 auto extension ring, the reproduction ratio can extended to: 1:0.88 Accessories (not included): HS-14 lens hood CL-33S hard case

The 105mm f/4.5 UV-Nikkor is one of the rarest and most specialized lenses ever made by Nikon. It was introduced in 1985 and available to special order only. Specifically designed for UV (ultraviolet) photography and, with virtually no variation in the focus position between visible rays and UV rays, it eliminates clumsy focus adjustments. A special coating is applied to the air-to-glass surface of the lens elements to reduce reflection under UV rays. At all focused distances in every wavelength range, aberration is minimal and distortion is eliminated. Of course, ordinary photography can be performed in visible light.

Lens construction: 6 elements in 6 groups, picture angle: 23º20', Distance scale: Graduated in meters and feet from 0.48m (1.57ft.) to infinity (∞), Aperture scale: f/4.5 to f/32 on both standard and aperture-direct readout scales, Reproduction ratio: Scale provided: 1:10 to 1:2, Filter size 52mm, Weight: Approx. 515g.

NEW/UNCIRCULATED complete boxed outfit. Lens, Gelatin Filter Holder, special Filter, UR-2 Ring. 100% new - both very rare and very unusual. Highly sought after and extraordinary to find in this condition.

With box. A Telephoto picture coverage of 12°20'. Internal Focusing (IF) design for easy handling and smooth focusing down to one half life size(when the Nikor TC-200 or TC-300 teleconverter is attached, this lens becomes the equivalent of a 400mm f/8 lens which focuses continuously from infinity down to 1:1 without any decrease in effective aperture). Provides extra long close ups of dangerous or "shy" wildlife. 9 elements in 6 groups. Exceptional sharpness and flatness of field. Accepts standard Nikon 52mm filters, sold separately.

A Telephoto picture coverage of 12°20'. Internal Focusing (IF) design for easy handling and smooth focusing down to one half life size(when the Nikor TC-200 or TC-300 teleconverter is attached, this lens becomes the equivalent of a 400mm f/8 lens which focuses continuously from infinity down to 1:1 without any decrease in effective aperture). Provides extra long close ups of dangerous or "shy" wildlife. 9 elements in 6 groups. Exceptional sharpness and flatness of field. Accepts standard Nikon 52mm filters, sold separately.

Missing tripod foot.
Ultra sharp long focal length micro lens compatible with TC-300 and TC-14B teleconverters. The lens enables the photographer to stand away from the subject (as required for use with “shy” subjects such as birds, mice and “skittish” insects and objects which are not easy to approach closely (items away from the photographer on an exhibition table for example). The lens is also useful for certain medium telephoto applications. Priced at £1,240 before prices were dramatically increased (following fall in value of sterling) our example represents tremendous price/performance.

Boxed and comes with HB-43 lens hood and CL-1120 case. Perspective Control (PC-E) standard NIKKOR optically designed to maintain a natural-looking perspective, used in specialised photography such as studio and architecture. Features Nano Crystal coat for a superior optical performance with modern high-resolution digital SLRs.

45mm standard NIKKOR with +/-11.5mm shift and +/-8.5 º tilt capability.

Revolution +/-90º (in 30 º increments).

Nano Crystal coat reduces ghosting and flare.

ED (Extra-low Dispersion) glass to ensure high resolution and contrast.

Aperture range of f/2.8 – f/32.

Preview button with electronic aperture control.

Closest focusing distance: 0.253m.

Maximum reproduction ratio: 1:2.

• • Focal length: 45mm

• • Maximum aperture: f/2.8

• • Minimum aperture: f/32

• • Lens construction: 9 elements in 8 groups (with one ED glass element and Nano Crystal Coat)

• • Angle of view: 51°

• • Minimum focus distance: 0.253m / 0.83ft.

• • Maximum reproduction ratio: 1/2

• • No. of diaphragm blades: 9 (rounded)

• • Filter attachment size: 77mm

• • Diameter x length (extension from lens mount): Approximately 82.5 x 112 mm/3.2 x 4.4 in.

• • Weight: Approximately 740 g/26.1 oz.

Boxed and complete. Perspective Control (PC-E) standard NIKKOR optically designed to maintain a natural-looking perspective, used in specialized photography such as studio and architecture. Features Nano Crystal coat for a superior optical performance with modern high-resolution digital SLRs.

45mm standard NIKKOR with +/-11.5mm shift and +/-8.5 º tilt capability.

Revolution +/-90º (in 30 º increments).

Nano Crystal coat reduces ghosting and flare.

ED (Extra-low Dispersion) glass to ensure high resolution and contrast.

Aperture range of f/2.8 – f/32.

Preview button with electronic aperture control.

Closest focusing distance: 0.253m.

Maximum reproduction ratio: 1:2.

• • Focal length: 45mm

• • Maximum aperture: f/2.8

• • Minimum aperture: f/32

• • Lens construction: 9 elements in 8 groups (with one ED glass element and Nano Crystal Coat)

• • Angle of view: 51°

• • Minimum focus distance: 0.253m / 0.83ft.

• • Maximum reproduction ratio: 1/2

• • No. of diaphragm blades: 9 (rounded)

• • Filter attachment size: 77mm

• • Diameter x length (extension from lens mount): Approximately 82.5 x 112 mm/3.2 x 4.4 in.

• • Weight: Approximately 740 g/26.1 oz.

Micro-Nikkor 55mm f/2.8. Nikon’s Close-Range Correction System provides outstanding close focusing performance even when shooting at minimum focus distance. Continuous operation as possible from infinity to a reproduction ratio of 1 : 2 and with the PK-13 auto extension ring from 1 : 2 to 1 to 1:1 life-size. Engraved dual reproduction ratio scales for fast operation at predetermined ratios with or without the PK-13 ring.

Exceptional sharpness and flatness of field guaranteed by superior optical design, plus Nikon Integrated Coating. Stops down to f/32 to permit maximum depth of field – particularly useful in close-up and macro photography. Excellent for critical copying of flat objects, such as coins and documents, yet its 43° picture angle makes the 55mm Micro also an excellent lens for landscapes, candids and general photography.

The great advantage of this lens is the combination of pinpoint accurate control over focus (essential for macro photography) together with ultra-sharpness and the presence of an aperture ring to allow for use with bellows, PK-11A, PK-12, PK-13 and PN-11 rings and other accessories such as slide copy adapters (ES-1).

The lens is much in demand by professionals including an Oscar nominee cinematographer and an Oscar winning cinematographic company. The Recommended Retail Price of this lens is £626.00.

• Lens construction: 6 elements in 5 groups
• Picture angle 43°
• Aperture range f/2 .8 to f/32
• Distance scale graduated in metres and feet from 0.25 m (9–13/16 ins) to infinity; with PK-13 ring, from 02.25 m (8-13/16 ins) to 0.249 m (9–13 /16 in).
• Weight 290g 52 mm front screw-in
• Accessories: (not included) Lens hood HN-3 screw-in type lens Case lens only CL-31S as hard leatherette, No. 61 soft pouch. Usable Teleconverter: TC-200 or TC-201 2x

Boxed with hood. Perspective Control (PC-E) telephoto NIKKOR with high-quality optics designed to be ideal for portraits and product photography. Features Nano Crystal coat for a superior performance with modern high-resolution digital SLRs.

85mm telephoto NIKKOR with +/-11.5mm shift and +/-8.5 º tilt capability.

Revolution +/-90º (in 30 º increments).

Nano Crystal coat reduces ghosting and flare.

Aperture range of f/2.8 – f/32.

Preview button with electronic aperture control.

Closest focusing distance: 0.39m.

Maximum reproduction ratio: 1:2.

• • Focal length: 85mm

• • Maximum aperture: f/2.8

• • Minimum aperture: f/32

• • Lens construction: 6 elements in 5 groups (with Nano Crystal Coat)

• • Angle of view: 28°30’

• • Minimum focus distance: 0.39m / 1.3ft.

• • Maximum reproduction ratio: 1/2

• • No. of diaphragm blades: 9 (rounded)

• • Filter attachment size: 77mm

• • Diameter x length (extension from lens mount): Approximately 83.5 x 107 mm/3.3 x 4.2 in.

• • Weight: Approximately 635 g/22.4 oz.

Comes with hood and pouch. Perspective Control (PC-E) telephoto NIKKOR with high-quality optics designed to be ideal for portraits and product photography. Features Nano Crystal coat for a superior performance with modern high-resolution digital SLRs.

85mm telephoto NIKKOR with +/-11.5mm shift and +/-8.5 º tilt capability.

Revolution +/-90º (in 30 º increments).

Nano Crystal coat reduces ghosting and flare.

Aperture range of f/2.8 – f/32.

Preview button with electronic aperture control.

Closest focusing distance: 0.39m.

Maximum reproduction ratio: 1:2.

• • Focal length: 85mm

• • Maximum aperture: f/2.8

• • Minimum aperture: f/32

• • Lens construction: 6 elements in 5 groups (with Nano Crystal Coat)

• • Angle of view: 28°30’

• • Minimum focus distance: 0.39m / 1.3ft.

• • Maximum reproduction ratio: 1/2

• • No. of diaphragm blades: 9 (rounded)

• • Filter attachment size: 77mm

• • Diameter x length (extension from lens mount): Approximately 83.5 x 107 mm/3.3 x 4.2 in.

• • Weight: Approximately 635 g/22.4 oz.

Boxed and complete. An exceptional quality micro lens with tilt and shift facilities for architectural photography or photography of table top items close-up. Movements enable focus detail to be finely tuned.

Boxed and complete. An exceptional quality micro lens with tilt and shift facilities for architectural photography or photography of table top items close-up. Movements enable focus detail to be finely tuned.

Introduced in 1978, the TC-14 was a result of a combination of research and innovation from Nikon lens designers as the previous TC-200 and TC-300 designs rendered a 2-stops lessening of light incident on the image plane. The introduction of a 1-stop+ exposure compensation teleconverter was welcomed by many photographers.

An amazing aspect of the TC-14 Teleconverter at the time was that had been designed as a "pancake sized" optical device and usable not only on a number of super-telephoto lenses but also on certain Nikkor lenses with shorter focal lengths. It offered a 40% increase in magnification of primary focal length and only one f-stop decrease in the effective aperture. Measuring merely 64.5mm diameter x 33.5mm height and weighing only 165g, this is the lightest and the most compact manual lens teleconverter of all. The teleconverter is particularly useful for use with the 180mm f/2.8 lens and also with the Nikkor 135mm f/2.0s, the Nikkor 135mm f/3.5s, the Nikkor 200mm f/2.0, and the Micro-Nikkor 200mm f/4.0 IF, also with and some Zoom-Nikkor lenses beyond 200mm. The TC-14 was introduced as a true Ai Teleconverter and it incorporated an Ai lens coupling for automatic diaphragm and full aperture TTL metering with all Ai Nikon SLR camera bodies. Nikon Integrated Coating was applied to all lens elements for outstanding resolution with virtually no loss in image quality. Another optical characteristic is its high contrast and excellent color rendition.

RARE! (1 OF ONLY 1,539 EVER MADE) COMES WITH HN-25 LENS HOOD AND A 95MM L37C UV FILTER. The 80-200mm f/2.8 Zoom-Nikkor ED AIS lens was introduced in 1982 and was, at the time, the world's fastest zoom lens for a 35mm camera. The distinctive gold coloured band identifies it as incorporating ED (Extra Low Dispersion) glass. ED glass produces superior colour correction and renders outstandingly sharp definition. Features include an attached rotating tripod socket collar (through 360º ) and a depth-of-field scale. The angle of view: 30º 10' - 12º 20', Closest focus: 8ft (2.5m), 15 elements in 11 groups, filter thread size: 95mm, weight: 1.9kg. DON'T MISS OUT, THIS IS ONLY THE SECOND SAMPLE WE HAVE HAD FOR THE PAST DECADE!

The successor to the legendary 80-200mm f/4.5 one of the sharpest manual focus zoom lenses ever made. Lens construction: 13 elements in 9 groups Picture angle: 30° 10' ~ 12°20' Focusing/zooming control: by a single ring Aperture scale: f/4~f/32 on both standard and aperture-direct-readout scales Focal length markings: 80, 90, 105, 135, 200mm Distance scale: Graduated in metres and feet from 1.2m (4ft) to infinity Weight: 810g Filter thread: 62mm Accessories available (but not part of this lens): Lens hood: HN-23 screw-in type Lens case: CL-35A hard case or No. 63 soft pouch Usable teleconverter: TC-200 or TC-201 Notes

The successor to the legendary 80-200mm f/4.5 one of the sharpest manual focus zoom lenses ever made.
Lens construction: 13 elements in 9 groups
Picture angle: 30° 10' ~ 12°20'
Focusing/zooming control: by a single ring
Aperture scale: f/4~f/32 on both standard and aperture-direct-readout scales
Focal length markings: 80, 90, 105, 135, 200mm
Distance scale: Graduated in metres and feet from 1.2m (4ft) to infinity
Weight: 810g
Filter thread: 62mm
Accessories available (but not part of this lens):
Lens hood: HN-23 screw-in type
Lens case: CL-35A hard case or No. 63 soft pouch
Usable teleconverter: TC-200 or TC-201

Notes

The later 1978 AI version of the first wide-angle zoom by Nikon and in fact the first wide angle zoom ever that started at a focal length of 28mm. In it’s time the 28-45 was a real sensation and a technological breakthrough. It was aimed at the professional market and was produced between 1975 and 1978 with a total production of about 20.000 lenses.

This lens is sharp enough even wide open on low-res sensors. Overall image quality is good and performs well on the long or wide end. CA is a non-issue.

You may find it best to stop down to f/8; however, image quality is still good stopped down below f/5,6 compared to modern kit zooms.

Focal length: 28-45mm
Maximum aperture: 1:4.5; Lens construction: 11 elements in 7 groups
Picture angle: 74° (f=28mm) - 50°(f=45mm); Diaphragm: Automatic
Aperture scale: f/4.5~f/22 on both standard and aperture-direct-readout scale

Distance scale: Graduated in meters and feet from 0.6m (2 ft) to infinity (oo)
Focusing: By turning the zooming/focusing ring; Zooming: By back and forth movement of the zooming/focusing ring (reference markings for 28mm, 35mm, 40mm, 45mm on zoom control ring); Weight: 440g
Dimensions: 75mm dia. x 91mm long (overall); 79mm extension from flange
Attachment size: 72mm (P = 0.75)

Officially launched in February, 1984. To cope with many demanding action activities in particular in the context of sports and wildlife photography, this lens has a single ring for responsive focusing/zooming control which provides extra handling speed and time for picture framing and composition. This remarkable Nikkor zoom lens incorporates some of the original Nikon optical innovations such as Extra-low Dispersion (ED) glass and that superlative coating which keeps ghosting and flare at bay. The use of FOUR ED glass elements in the optical design delivers crystal-clear images even when use at near maximum apertures and ensures minimized chromatic aberration while at the same time, delivering high edge-to-edge resolution throughout the focal length range . Nikon's lens coating process also improves the picture contrast and colour rendition over the entire 200-400mm zooming range. For increased convenience and flexibility, an L-shaped rotatable tripod collar with three screw-in tripod sockets helps achieve optimum balance for motor-driven photography and enables the photographer to switch quickly from horizontal to vertical format shooting. Angle of view: 12° 20’ to 6° 10’. Aperture scale: f/4-f/32. Closest focusing distance: 13.1ft. (4m). Filter thread: 122mm, Lens hood: Built-in and extension with HE-4 possible, Weight: 3.6kg. C/w with HE-lens hood and soft front lens cover. Only 448 ever made.

Exceptionally lightweight wideangle-to-normal zoom lens. Single, integrated focus/zoom ring for greater ease and speed.Nikon Integrated Coating (NIC) on all air-to-glass surfaces of lens elements minimizes ghost images and flare; assures natural colour rendition.
1:5.2 macro focusing possible at 0.32m (1ft.) when set to 50mm. Useful for landscapes, architecture, interiors and general photography. Lens construction: 9 elements in 9 groups, picture angle 74° - 46°, aperture scale: f/3.5 - f/22. focal length markings: 28, 35, 50mm, Distance scale: Graduated in meters and feet from 0.6m (2ft.) to infinity (∞); in macro focusing mode at 50mm setting, down to 0.32m (1ft.). Weight: 395g, 52mm filter thread. Accepts HK-12 slip-on type lens hood,lens case: CL-34A hard case, Usable teleconverter: TC-14A 1.4x or TC-201 2x.

This superb light-weight push-pull zoom, introduced in 1984 with an AIS-mount, has a nice zoom range and very simple handling.

Picture angle 74°-28°30'
Optical construction: 15 elements in 11 groups
Special characteristics: Two-ring zoom with macro setting, maximum magnification 1:3.4
Minimum focusing distance: 0.8m, with macro setting 0.23m
Aperture range: f/3.5–f/22
Filter mount: 62mm
Weight: 510g

Accessories (not included) H-16 lens hood, CL-33s had case, No. 62 soft leather case

This superb light-weight push-pull zoom, introduced in 1984 with an AIS-mount, has a nice zoom range and very simple handling.

Picture angle 74°-28°30'
Optical construction: 15 elements in 11 groups
Special characteristics: Two-ring zoom with macro setting, maximum magnification 1:3.4
Minimum focusing distance: 0.8m, with macro setting 0.23m
Aperture range: f/3.5–f/22
Filter mount: 62mm
Weight: 510g

Accessories (not included) H-16 lens hood, CL-33s had case, No. 62 soft leather case

This superb light-weight push-pull zoom, introduced in 1984 with an AIS-mount, has a nice zoom range and very simple handling.

Picture angle 74°-28°30'
Optical construction: 15 elements in 11 groups
Special characteristics: Two-ring zoom with macro setting, maximum magnification 1:3.4
Minimum focusing distance: 0.8m, with macro setting 0.23m
Aperture range: f/3.5–f/22
Filter mount: 62mm
Weight: 510g

Accessories (not included) H-16 lens hood, CL-33s had case, No. 62 soft leather case

Extensive 3x zoom range covering popular and frequently used focal lengths - wide-angle, normal, telephoto and macro - makes this zoom ideal for travel.

Macro focusing at all focal lengths by the push of a button; at the 35mm setting you can focus down to 0.27m (0.09ft.) for close-ups with a reproduction ratio of 1:3.8; closest normal focusing distance 1.4m (5ft.). Convenient operation via a single focusing/zoom ring that lets you focus as you zoom in or out.
Ideal for most subjects, including candids, portraits, close-ups, travel photography, sports, etc.
Lens construction: 16 elements in 12 groups. Picture angle: 62° - 23° 20'
Weight: 510g. Filters: 52mm front screw-in. Accepts: HK-11 slip-on lens hood, Lens case: CL-33s hard case. Usable teleconverter: TC-14A or TC-201

Versatile wideangle-to-telephoto zoom. Single, integrated focus/zoom ring for greater ease and speed. Distortion-free macro operation at 135mm setting; maximum reproduction ratio is 1:3.8 at 1.3ft. (0.4m) minimum focusing distance. Nikon Integrated Coating (NIC) on all air-to-glass surfaces of lens elements minimizes ghost images and flare; produces natural colour rendition. 15 elements in 4 groups, Picture angle: 62° - 18°, weight: 600g, 62mm filter thread. Accepts HN-22 lens hood, CL-33S hard case or No. 62 soft pouch (not included).

Short range zoom originally retailing for £350 before massive price increases due to collapse of sterling.

Boxed and complete. Short range zoom originally retailing for £350 before massive price increases due to collapse of sterling.

Short range zoom originally retailing for £350 before massive price increases due to collapse of sterling.

Short range zoom originally retailing for £350 before massive price increases due to collapse of sterling.

An ideal all-around zoom for sports and photojournalism because of its exceptional wide zoom coverage ranging from 50mm normal to 300mm telephoto. Extra-low Dispersion (ED) glass insures outstanding picture quality. Independent focusing and zoom rings eliminate any-weight shift during zooming for balanced operation and radically new handling ease. Focuses in 2.5m (8.5ft. f/32 allows additional control of depth of field. Tripod socket collar rotates a full 360° with click-stops every 90°. 15 elements in 11 groups. 46° -8 10', weight: 1950g. Dimensions: 98mm dia. x 239mm extension from lens flange:247mm long (overall). 95mm front screw-in filter thread. Accepts HK-5 slip-on lens hood, CL-64 hard case. Usable teleconverter TC-201 or TC-14A.

An ideal all-around zoom for sports and photojournalism because of its exceptional wide zoom coverage ranging from 50mm normal to 300mm telephoto. Extra-low Dispersion (ED) glass insures outstanding picture quality. Independent focusing and zoom rings eliminate any-weight shift during zooming for balanced operation and radically new handling ease. Focuses in 2.5m (8.5ft. f/32 allows additional control of depth of field. Tripod socket collar rotates a full 360° with click-stops every 90°. 15 elements in 11 groups. 46° -8 10', weight: 1950g. Dimensions: 98mm dia. x 239mm extension from lens flange:247mm long (overall). Accepts HK-5 slip-on lens hood, Usable teleconverter TC-201 or TC-14A.

Spectacular condition supplied with original Nikon 95mm L37C filter!
An ideal all-around zoom for sports and photojournalism because of its exceptional wide zoom coverage ranging from 50mm normal to 300mm telephoto. Extra-low Dispersion (ED) glass insures outstanding picture quality. Independent focusing and zoom rings eliminate any-weight shift during zooming for balanced operation and radically new handling ease. Focuses in 2.5m (8.5ft. f/32 allows additional control of depth of field. Tripod socket collar rotates a full 360° with click-stops every 90°. 15 elements in 11 groups. 46° -8 10', weight: 1950g. Dimensions: 98mm dia. x 239mm extension from lens flange:247mm long (overall). Accepts HK-5 slip-on lens hood, Usable teleconverter TC-201 or TC-14A.